‘All of the Magnificence and the Bloodshed’ chronicles the combat to purge one household’s identify from the artwork world

'All the Beauty and the Bloodshed' chronicles the fight to purge one family's name from the art world

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The campaign by American photographer Nan Goldin to shame galleries and museums into cutting ties with the Sackler families, the owners of OxyContin manufacturer Purdue Pharma, was always under a lens — that was part of its point. Beginning in 2018, a number of noisy protests at some of the art world’s finest institutions, including the Met, the Guggenheim and the Louvre, were designed to attract as much publicity as possible as they highlighted the horrors of the United States’ opioid epidemic and called out Purdue Pharma’s role in it. They proved highly effective.

Among those documenting the protests was Goldin herself, working with the activist group she cofounded called P.A.I.N (Prescription Addiction Intervention Now). Knowing the artist wanted to create a film about what they were doing, the group filmed with…

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